Tragedy and the Return of the Dead

Paper Text – $39.95

ISBN 978-0-8101-3704-2
Publication Date
May 2018
Page Count
288 pages
Trim Size
6 x 9
ISBN
0-8101-3704-6

Tragedy and the Return of the Dead

John D. Lyons

Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements.

Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.”

Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.

About the Author

JOHN D. LYONS is Commonwealth Professor of French at the University of Virginia.
Reviews

“Lyons has produced a magisterial, persuasive work about what tragedy used to be and what it perhaps still is.” —Richard Goodkin, author of How Do I Know Thee? Theatrical and Narrative Cognition in Seventeenth-Century France