PlayHouse

“The ideas of 'play' and 'house' are interwoven gradually in Jorrell Watkins’s debut collection, with the changing light stretching and bending the shadows of masculinity, familial intimacy, and societal violences. Through his intense play with the vernacular and syntax of blk English, Watkins defamiliarizes urban Southern blkness and captures sincerely a  poignant slice of the blk psyche at this particular moment in American history.” – Kyle Dargan, Books Editor at Wondaland

“To read this poet is to witness him in a series of gorgeous, wise flights. Poem after poem of an enlivened syntax dense with record and time. Play|House is an extraordinary debut filled with such exquisite sound so attuned and ‘otherworldly bright.’” —Aracelis Girmay, author of The Black Maria

“Though Jorrell Watkins’s Play/House is anything but formulaic, it is difficult to describe without reverting to the usual formulas: It is, in fact, a ‘stunning debut.’ It is ‘wide-ranging’ and ‘riveting’ and even ‘interrogates popular notions of the intersectionality of Blackness and masculinity.’ (Blacksculinity, if you will.) All the stock phrases apply, but none are enough. And while such interrogationality is there for those who come to poetry for such things, this book was really written for the rest of us. Those who come in search of the soulful, who mean to be moved, who read and make the stank face; who appreciate the carefully-crafted but are greedy for the gutbucket, who demand that the poems we read be more than ‘interesting’ and ‘ambitious.’ We demand from our poems sweat and blood and bone, and Watkins has us covered. As a reader, I am ecstatic. As a practitioner, a player in the house Play/House just stomped through, I’m shook.”—John Murillo, author of Kontemporary Amerikan Poetry